Toits de Montréal, 1916 Sculpture La touche de l’artiste dévoile Lismer affirme avoir toujours
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Toits de Montréal, 1916 Sculpture La touche de l’artiste dévoile Lismer affirme avoir toujours La touche de l’artiste dévoile un traitement tactile de la couleur qu’on peut retrouver dans les années 20 et 30 chez les membres du Groupe des 7 Plus les années passent et plus Beaulieu semble se diriger vers l’abstraction
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